Sampling is an art form that owes its inception to the embrace of technology in music production. However, to understand the complete significance of sampling, we must step back and delve into its rich history.
A brush with history
When it comes to the innovation of sampling, the 1960s and 1970s were crucial decades. This period saw composers experimenting with tape loops and hard-splicing techniques to create new soundscapes. Fast forward to the digital age, and here we are, with an array of sophisticated sampling tools and software. For music producers, each fragment of an old song offers a world of creative possibilities. However, it is essential for aspiring music producers to understand the inherent challenges and rules associated with music sampling.Navigating the legal landscape of sampling
Sampling's legal framework can be tricky. When you sample a track, you are essentially using both the actual physical recordings (known as 'masters') and the written composition. Both these elements are often owned by different entities - usually a record company and a publishing company. This might require you to clear rights from both companies before using the sample in your work. In this class titled Sampling and sample ownership, Ivor Novello-nominated songwriter/producer, Owen Cutts, breaks down the complexities of music sampling for beginners. Owen Cutts provides practical solutions to inspire budding producers to think creatively about sampling while equipping them with methods to sidestep potential legal pitfalls."What you're doing, essentially, is when you sample, is you're taking the track and you're using the actual physical recordings, which are called the masters, which are owned by the record company or a record company, and you're using the written word, and that's owned by a publishing company." - Owen Cutts